January 2008 Archives

Breathing Space

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The view from our ger Over the past few months, Kari and I have joined the church at St. Luke's, West Holloway. The church building has just been renovated (and looks great) and now we're starting to host a new series of events under the banner of "Breathing Space."

Yesterday, Martin and I got the website ready for public viewing. There's more to come (particularly on the visual design front), but if you're likely to be able to get to North London over the next few months take a look and see if there's anything you'd like to join us for.

links for 2008-01-31

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A few favoured albums (2007)

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All Hour Cymbals album sleeveEvery year I intend to write a "top 10 records/films/etc." blog entry. I put it off until some time in the middle of January so I can catch up on a few releases I'd missed around the end of the year, and then either forget about it, or realise it's too hard to reduce the list.

The easiest way round that would be to just link to my listening charts for the past 12 months over on last.fm. But right now those are rolling charts (so if you look at them six months after I write this, they'll have changed) and they're also skewed towards records that came out early in the year. There are certainly a few highlights in there—including Arcade Fire's Neon Bible, Feist, Grinderman, Bjork, Radiohead and Panda Bear—but there are also several missing. So perhaps it's easiest to just throw up a few notes, and then let go of this angst for another year?

Four of the releases that have occupied much of my listening over the past few years come from women who live just across the road from each other. Sarah Masen's three new EPs have lived with us for most of the year, and between Kari singing with her at Greenbelt and just thinking they're great, we've both listened to them a lot. Further proof that sometimes recording in a friend's house can yield results just as satisfying as any costly production process. Julie Lee's latest took a little longer to grow on me, and marks a bit of a change of direction since her last release, but the more I listen, the more I enjoy.

The Battles and Burial records are often mentioned together. Between their similarity in name and sharing the general territory of "electronica" it seems like there's a fair bit in common. In reality, they're very different records, and both very satisfying in their ways. I find it hard to dispute Burial's place at the top of metacritic's charts for 2007.

Of late I've been very taken with the Yeasayer's "All Hour Cymbals" and am very much looking forward to seeing them at the ICA in a few weeks. At times they remind me of Anathallo (who are also going to be in the UK very soon and are well worth an evening of your time) and they're connected with the Brooklyn scene, but there's more texture to their sound and better use of space than you find with most of the indie bands kicking around at the moment.

And of course there's St. Vincent, Spoon, Of Montreal, Dirty Projectors, Ry Cooder (not as wonderful as Chavez Ravine, but a real grower), Low and a whole host more than I have time or space to do justice to even without mentioning earlier releases I only just discovered.

(nb: most of the links above will take you to pages where you can hear the artists/albums in question)

links for 2008-01-30

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Future Music Talk

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screenshot from Future Music TalkI don't talk much about my work here, saving the more in depth stuff for the other place, but every now and again it seems worth mentioning some new project that has launched.

In spare moments over the past few weeks I've been setting up Future Music Talk. It's a site that pulls together blog entries from a group of people talking about the future of the music industry, music promotion, etc. There's a lot of good discussion taking place, but it's all so widely spread out that it seemed helpful to bring some of it together for easy discovery and maybe some more cross-fertilisation.

There are a few more features I'd like to add, but it seemed high time I got this out in the open and started gathering feedback and ideas for more blogs to include. You can find it all at http://www.futuremusictalk.com

links for 2008-01-25

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No Country For Old Men

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No Country for Old Men posterI'd been looking forward to No Country For Old Men for quite some time. Having been rather disappointed by their remake of The Ladykillers I was anxious for something to remind me why I love the films of the Coen Brothers. An adaptation of a Cormac McCarthy novel seemed just about perfect for them.

One of the reasons I thought this might work for the Coens was actually hidden in Jamie's recent comment (on the book) that:

The reason I can’t imagine this as a movie is because of McCarthy’s genius, namely his ability to paint such powerful pictures with such a simple palette and so few strokes. McCarthy’s prose is so frugal it borders on being stingy—and somehow (just how?!) he creates an engulfing world with two-bit dialogue and miserly description that says so much with so little.

Contrary to most of their peers they've shown a remarkable ability to set the visual and audible tones of their films based on the narrative content. And here they really succeeded.

While the sweeping shots of the sparse Texan landscape are most immediately striking, the real strength of this film is the barrenness of its soundtrack. As this New York Times commentary points out, there are only 16 minutes of music in the entire two hour film and the sound designer and composer worked closely to produce a fittingly minimalist score. As in the best works of Hitchcock, silence is used to build the suspense, and it only takes very subtle sonic touches to underline the creepiness of the most prolific of the movie's killers.

Perhaps the most interesting thing for me visually was the contrast, or lack of it between the literal desert and the strip mall settings that come to the fore later on. In many ways the two contexts are an extension of one another, with some of the same sweeping shots enforcing the sense of emptiness as you look down an avenue of low colourless buildings. But of course the desert is broken by the odd tree or creek, whereas the strip mall has only poorly shaped neon.


Seeing the film at the Barbican was a real treat. It's a film that deserves a quiet audience and a good sound system. If you can find it outside of a multiplex, then that will likely be the place to see it.

links for 2008-01-20

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This page is an archive of entries from January 2008 listed from newest to oldest.

December 2007 is the previous archive.

February 2008 is the next archive.

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